The Gospel According to Morabito
A legendary DJ with a sound as commanding as it is emotional, Morabito has spent a lifetime proving that nightlife is not just escape — it is communion.
By: Alexander Kacala

Before a night becomes a memory, someone has to build the feeling. For decades, Morabito has been one of the people trusted to do exactly that.
After coming to New York in the late ’80s, Susan Morabito found her way through the city’s record stores, dance floors, and DJ booths before becoming one of the architects of the Fire Island sound — that sweeping, muscular, emotional style of music that could turn a room full of strangers into a congregation.
But Morabito’s legacy is not just in the records she played. It is in the bodies she moved. The money she helped raise. The rooms she transformed, and the generations of queer people who learned that nightlife could be sacred when the right person was guiding it.
And today she is busier than ever. From packed nights at the Eagle to tentpole bookings on Fire Island, Morabito’s journey is a reminder that true nightlife legends keep showing up, keep evolving, and keep giving the room something to believe in. From the Pines to the circuit, from one generation to the next, Morabito has never just played music. She has scored the sound of queer New York becoming itself.
When you think back to your earliest years in New York nightlife, what do you remember most vividly about the rooms, the music, and the people?
In my earliest years in NYC nightlife, I remember spaces that were designed with incredible flow. Rooms where it never felt like a struggle to get to the dance floor. Most of the sound systems were superb, the lighting was impressive, and many clubs stayed open well into the afternoon.
Like now, New York always offered choices — different sounds, different scenes, different energies — and you could usually find the room where your tribe was. That’s one of the beautiful things about a city this size.
But beyond the clubs themselves, it was the energy and the people that stayed with me. I often walked away from nights out feeling like something meaningful had happened — whether it was meeting someone fascinating, having an unexpected conversation, learning something new, or even making a professional connection. New York attracts people from all over the world chasing dreams, and that has always created an incredibly interesting energy. It was true then, and it’s still true now.
Your career is so deeply connected to Fire Island, the Pavilion, and the sound of queer summer. What did Fire Island teach you about the power of music, community?
The Pavilion was where I learned how to build a three- or four-act musical journey. During the holiday weekends, I’d sometimes play from 11pm until 9 or 10 in the morning, which taught me how to take people through very different musical places over the course of a night. Back then, the final act would often become slower, deeper, and more hypnotic while still remaining very danceable.
Fire Island also taught me the power of community. It is a safe paradise for the gay community — a place where we could fully be ourselves and gather every season to share dinners, cocktail parties, pool parties, post-club gatherings, tea dances, the clubs, one of the most beautiful beaches in the country, and yes, some of the sexual shenanigans the boys engaged in along the way. Those shared experiences created deep bonds, lifelong relationships, and a real sense of history together. Many of us weren’t just there once a season — we were there very consistently throughout the summer, which gave people the opportunity to truly get to know one another and build a stronger sense of community.

Speaking of Fire Island, When are you out there this summer and how do you keep it going year after year?
Sunday, Aug. 2nd I’ll be playing my 9th post-Pines Party event at the Pavilion and Sunday, Sept. 6th, I’ll be playing my 25th Labor Day Sunday.
Additionally, I’ll be at the Pavilion on Saturday, July 4th. This year marks 39 years of me playing in the Pines.
I believe I’ve been able to keep it going because DJing is a spontaneous art form and the music is always evolving and changing. I spend a good amount of time every week searching for new music, so I always have fresh material to bring into each performance. People continue to respond to DJs who remain genuinely connected to both the music and the crowd, and I’ve always cared deeply about creating a journey and an experience for people on the dance floor.
What do you think people who only know today’s nightlife scene misunderstand about the circuit, the Pines, and the world that shaped you?
I think one thing people today may not fully understand is how immersive and communal nightlife felt back then. The dance floor can still feel deeply connected today, but before cell phones, constant filming, and taking photos on the dance floor, people were generally far more present in the moment, which created an even stronger sense of focus and connection on the dance floor for hours at a time.
Musically, DJs were also given the space to take people on much longer journeys. Some nights I’d play between 8-11 hours, and that allowed for multiple acts and emotional shifts throughout the night. It wasn’t just constant peaks — there were moments where the music would become deeper, more hypnotic, more sensual, and then build again. The crowd trusted you enough to go there with them.
I also think the Pines and the circuit culture were about more than partying. They were, and still are, about community, freedom, connection, escape, and shared experience — spaces where LGBTQ+ people could feel fully themselves together.
What has nightlife made possible for our community?
Queer nightlife created spaces where people could feel safe, accepted, connected, and fully themselves, sometimes for the first time in their lives. It gave many people a chosen family and a sense of belonging during periods when the outside world could feel isolating, judgmental, or unsafe.
It also brought people together in ways that made fundraising, activism, caregiving, and community support possible, especially during some very difficult periods in our history. And beyond all of that, nightlife gave people joy, release, friendship, romance, sexuality, music, and human connection. Those things are not superficial — they’re part of survival too.

What do you think queer New York nightlife needs more of right now?
I think queer nightlife in New York needs more presence and connection again. The dance floor can still be magical, but cell phones, filming, and constant photo-taking can sometimes pull people out of the experience and out of the moment. I’d also love to see more attention given to sound again. Years ago, truly great sound systems were more common. They made a huge difference in how people experienced the music and connected to the dance floor.
After all these years, what still makes you want to step into a booth and take a room somewhere?
The spontaneity of the art form, the interaction with people and how music can make us feel, and the constant evolution of music itself. There’s always new music to discover, and I always have fresh music I’m excited to play. That keeps it inspiring for me.
What does Pride mean to you in 2026?
At this point in my life and career, Pride means gratitude, visibility, resilience, and community. I’ve lived through periods where being openly LGBTQ+ carried far more fear, judgment, and uncertainty than many younger people today may fully realize. So I never take for granted the freedoms and visibility we now have. But Pride also means remembering the people we lost, the people who fought for those freedoms, and understanding that those freedoms are never guaranteed, especially in today’s political climate.
At its best, Pride is still about connection — people coming together to celebrate who we are openly, honestly, and without shame. And after all these years, I still find that incredibly powerful.
To follow Morabito on Instagram, head here.
Throughout Pride Month, RAG MAG NYC is spotlighting 30 queer New Yorkers shaping culture, community and nightlife right now.
These are the people creating the spaces, conversations, organizations, performances, and moments that make LGBTQ+ New York what it is. Some are household names. Others are the quiet forces making an impact every day.
Because Pride has always been more than a celebration. It’s the people who show up for one another.






